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In a world marked by the loss of guidelines, Dominique Blain listens carefully to the present in the light of a perpetually documented past; she does so out of a personnal need to fathom the distance in time and space between the real and its representation, and because it provides her, as an individual and as an artist, a possible means of contemplating the ambivalences of humanness.

– Louise Déry, MonumentsDominique Blain, 2004

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