MISSA, 1992 – 2012
100 pairs of army boots, mono-filament, metal grid, 700 x 700 cm
Musée des beaux-arts de Montréal collection.
A nearly deafening silence immediately strikes the viewer of Blain’s remarkably spartan installation. This soundlessness continues to resonate – and change – as one walks around her three-dimensionnal grid of strings and shoes, filling in its absences with haunting narratives and dark associations. Ominous connections between facelessness and force, blind obedience and inhuman strenght, a sense of belonging and one of being utterly lost gain clarity as one contemplates her austere memorial to war and its – often abstract – if all-too-real consequences.
– David Pagel, Dominique Blain, Art Forum, 1993